Im Not Scared Essay

Poverty is the mother of crime. (Marcus Aurelius) Contrary to the plate yellow of the bound slight wheat palm is the darkness of poverty in which the hamlet of Acqua sink in is wreathed. Niccolo Am compositionity consummately describes the pervasive poverty of the spot forgotten by God and macrocosm through break this enthr totall(a)ying impertinent Im non scargond. The villagers do not only fall dupe to poverty, moreover also to the subsequent solicitudes with which they be afflicted after committing the crime snatch a boy of a pissed family and holding him to ransom.Fears be correspondingly intertwined with the villagers they gambol a tremendous role in the adults actions and motivations and become one of the primary themes of this newfangled. The well-nigh palpable revere of the adults in the myth is the guardianship of being apprehended and incarcerated as they wear done such(prenominal) a sordid deed scamping a boy. T presentfore, utmost(prenominal) poverty and the yearning to crush out of the current flavor from which the kidnap springs from provoke be deemed as the root of the most significant attention in Im not scared. In 1978 Acqua crossbreed was so sharp that it was practically non-existent. This resignment of Michele, to some extent, depicts the pauperization which the villagers undergo. Apart from the familyidable palace of the Scardaccione family, in that respect are four drab little(a) houses. The situation of Micheles family is illustrative of the noble poverty of the hamlet. To exemplify this, his father has to ease up the house quite often to adjudicate employment in the North and that is where he meets Sergio head of the culprits.The villagers have been so let down with their quality of life of Acqua Traverse that they after allow their voraciousness for materials to override their comprehend of morality and societal values. All in all, the most significant caution fear of being brought to jus tice arises out of the extreme poverty that the villagers are confronting. The degree of fear amongst the villagers varies throughout the novel sometimes fears come out of the closet vaguely, sometimes discernibly. Interestingly, the volatility of fear seems to pair the intensity of the story when fear reaches its peak, the novel enthrallingly absorbs the readers in its flow of events.Fears appeared from the inaugural few pages of the novel At Acqua Traverse the grown-ups didnt leave the houses till sise in the evening. They shut themselves up within with the blinds drawn. This suggests the villagers have already kidnapped Filippo and are mental strain to remain aloof from the outside innovation in the daytime and from justice, that is, they are conscious that the deed they just did is morally erroneous. This sentience is metaphorically expressed through the rigors of the drought which the villagers are experiencing. The sun took away your breath, your strength, your ap petite to play, anything. And it was just unbearable at night. Furthermore, the villagers fear that the poverty of Acqua Traverse has foreclosed the future of their children takes the form of maternal kernel. mammary gland curled up beside me and whispered in my ear, when you grow up you must go away from here and never come back. Even Mama a passive participant in the kidnap realizes the depraved things the adults are conspiring and does not want this combat injury to afflict her children. in that location are some other less significant fears throughout the novel such as pops fear towards the old man Sergio, Felices fear of the ferocity of Mama when she spares no confinement to protect Michele, to name but a few. Fear reaches its climax when the helicopters comb the hamlet and its periphery for the boy. The villagers acknowledge they are on the verge of being apprehended by the police. The grown-ups stayed at Salvatores house all evening They were shouting so punk that t hey woke us up. We had grown used to all sorts of things.Nocturnal meetings, noise, raised voices, broken plates, but now they were shouting too much. Hence, it can be observed that notwithstanding the lasting fluctuations of their degree, fears are omnipresent in every nook and cranny of Acqua Traverse. Dorothy Thompson once verbalize The most destructive element in the human mind is fear. Fear creates aggressiveness. Not only do fears render the villagers of Acqua Traverse more belligerent and inhumane, they also strip the villagers of their ability to think and act in a rational demeanor as an ordinary person normally does. pascal made the scissors sign with his fingers. devil ears well cut off. Two. Papa who always treats his children with enate affection and tenderness now turns out to be a vicious man ready to do harm to a child when the deal is not reached. The readers no longer see Papa construction Dont you kiss me, youre all dirty. If you want to kiss your father , youve got to race first. A ruthless booger that comes out and takes the children away and sells them to gypsies appears in station (although at the end of the novel Papa somehow strives to redeem the physiological trauma he has caused to Michele).Perhaps Michele hopes that all these things are merely in a importation of aberration unfortunately, after falling victim to poverty and its subsequent fears as mentioned above, the villagers have drastically turned into different raft from whom they used to be. By way of occupation, Micheles ways to overcome fears and to perceive surround things are seemingly rather rehabilitative and far from naive. As the story intensifies, Micheles fears are heightened and his innocence simultaneously irretrievably crumbles away nonetheless, he succeeds in transaction with these fears more precociously and rationally, unlike the adults.To recapitulate, fear serves as one of the primary themes of the novel Im not panic-struck it originates in t he indigence that the villagers of Acqua Traverse are going through and its degree varies throughout the story paralleling the intensity of the plot. Fears are also employed by Niccolo Ammanity to delineate the villagers state of mind and to bear stark contrast to the protagonist of the novel, Michele. The dubiously mundane life at Acqua Travers is none but a veneering at night that veneer breaks and reveals a world of criminals, of inconceivably horrific deeds, of ruptures of relationships and faiths and of inhumanity.And prevail in that world, fears Residual vestiges of affection and the true evaporates when evil gleam = homage irrevocably and irreparably crumbles away = Michele opts for Filippo, for his awareness of morality and justice in situation of his father. Micheles loyalty to his family manifests itself in a variety of ways sister (take steer of his sister hand in hand. We went home), submissiveness towards his mom, irately protect his mom when she is assaulted by Felice. His loyalty initially coerced him into unceasingly seeking eatable grounds for his parents not involving in the kidnap of Filippo. = his brother